About

Philip de Koning, Sculpteur (1944)

1965-1966  ‘Vrije Academy of Modern Art in The Hague, Netherlands’ .
Sculptures in plaster and impressionist paintings. I concluded it was not my destiny to make a living of being an artist.
Instead I became a pilot in the Royal Netherlands Navy and studied at Leiden and Delft Universities to become a lawyer with an MBA to work for 25 years in the international financial industry. Prior to my retirement I went back to sculpturing and painting. Partly in France ( Grimaud/ Saint-Tropez) and partly in my home town Oegstgeest in Holland.

In 2001 I joined the summer class of Maitre Sculpteur Michel Mourrier at the Maison des Arts in La Croix Valmer (France) to master marble as material. After my retirement in 2003 I spend more time in France and at the Maison des Arts. Michel became a friend. He introduced me in Carrara (Italy) where one of his associées has a sculpture school in the middle of the white marble quarries.

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‘Mon Oncle’.
Direct cutting with a diamand disk in hard marble de Porto Venere
(Acquired by my friend Jan)

Apart from marble and other type of hard stone I wanted to work with steel.  I had learned some basic skills during workshops at Delft Technical University. So I became a certified welder in 2002 and changed to stainless steel (Inox) in 2004 after being introduced to Martin De Kloet of  Gebr. De Kloet in Kortenhoef, Holland. They have a specialised Inox atelier, run by Brian Dikke. We created quite a few sculptures in inox. A selection was shown in 2007 at the Florence Biënnale and received public attention in the local Florence news paper.

With my background in international business I accepted the challenge in 2010 to create a monumental sculpture expressing a merger and a future of  Friesland Campina Dairy Corporation in Amersfoort, Netherlands. After talks with the board and leading management, design and modelling Brian Dikke and Martin de Kloet were my sparring partners in realising this major project.

Onthulling Fr Camp

 

 

The offical presentation of ‘Ambition & Dynamics’
(In front of the FrieslandCampina head office in Amersfoort, Netherlands, 2011)

Around 2006 demand for my sculpture of the Loone in Belgian black stone led me to have copies of this sculpture made in bronze. It opened the horizon for me to start creating in wax to realise sculptures in bronze according to the method ‘Cire Perdu’.  It also led to the experiment to weld stainless steel and bronze together. A technique I applied for the sculpture about ‘Academic Freedom’ for the Leiden University, which was commissioned in 2011.

 

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27 kilos of bronze to be welded at an upward angle on stainless steel bars

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With Brian Dikke at work at Gebr. De Kloet, Kortenhoef

Stainless steel 316 is fascinating.
It is the hardest, the softest, the most fulnerable, the most durable and the most rewarding material, due to mind boggling reflections.

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Tulip and Galaxy at the Grand Palais in Paris during ‘Art en Capital’ with Dominique Chapelle, then the Président of the Société des Artistes Indépendantes depuis 1884.

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From 2008 – 2014 I showed my work preferably in Saint-Tropez and in Paris.
Spending the days during an exposition in Paris generated the “Paris feeling”  as an artist. With a magazin de bricolage opposite my simple hotel in the 16th Arrondissement for my needs of basic materials and a favorite Brasserie around the corner where the Django Reinhardt sounds revived during the late hours.

ontwerp Ruiterberg (2)

Many exposition in Paris followed. ‘Art en Capital’ at the Grand Palais, ‘Art Shopping’ at the Caroussel du Louvre, Salon d’ Automne at Anteuil and several expositions in galeries .

The majority of the expositions were organised by our ‘petite Presidente’ Dominique Chapelle and my friends of the Société des Artistes Indépendantes Depuis 1884.
They adopted me as an Associée. In the wake of Cézanne, Braque, Van Goch and many other known and unknown artists we drank Dutch Corenwijn and ate my cheese from Rembrandts home town Leiden behind the curtains of the Grand Palais.

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Apéro at Grand Palais with the friends of the Société des Artistes Indépendentes depuis 1884

The same applied for my art friends in the Saint-Tropez area.
Michel Mourrier, Céleste Bénite, Daniëlle Mittelmann and Cécile de Kock in particular.
I participated with them in many Salons de Grimaud, the annual Salon des Peintres et Sculpteurs de Saint-Tropez and at other expositions in the south of France. 

The exchange with art friends from my home town Oegstgeest in Holland (Art Association INSTOCK) was another high light. We were “Honorary Artists” in Grimaud. The French friends came in return to Oegstgeest for an exposition at the town hall and at the local INSTOCK galerie. With the Mayors of Oegstgeest and Grimaud involved.

I did receive more formal rewards as well.

The ‘Fédération de la Culture Française’ rewarded me with the ‘Prix de Révélation’  2009

Prix Révélation      Medusa Aurea 1    Medusa Aurea2

In May 2009 I was invited to come to Rome to present my work at the annual exposition of the ‘Accademia Internazionale d’ Arte Moderna’.
Much to my pleasure and surprise, I received the golden ‘Medaglia Al Merito 1e Premio’ of the Accademia for my ‘ oeuvre’ out of 15 pre-selected European sculptures. I still wonder who had promoted me.

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Winner of the Golden Trofeo Medusa Aerea 2009 of the Accademia Internazionale d’ Arte Moderne in Rome, Italy

In the mean time many creations in stainless steel, bronze and combinations of both metals followed my monumental work.

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Peacock (2010) in patinated bronze with stainless steel feathers combined with copper and stainless steel blinkers

The quest of my artistic path led me in 2015 to the making of 3-D paintings or collages in metal.
Manhattan East River was the first one. It became the beginning of a serie which received a warm welcome at the Salon de Grimaud in September 2015.

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Manhattan East River (2015) Collage in steel, copper, bronze and gold blades on a canvas/board
(Acquired by a French art collector)

In 2018 I won a public offering by the Municipality Wijdemeren. 
The merger between the once rather hostile neighbouring communities Kortenhoef and ’s Gravenland.
I presented their history and future in the form of a tree in stainless steel with a mixed flock of birds.

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(At Gebr. De Kloet, creating the “merger tree” of Kortenhoef – the crows –  and
‘s- Gravenland – owls and kingfishers )

We now have 2020. The year COVID-19 dominated our lives. However for an artist who has his own workshop as a safe haven, life just goes on.
Inspiration and creating never stops.
I make drawings when it rains and I am welding new birds in steel for our garden. And there is ‘ work in progress’ for the 3-D Erasmus Bridge of Rotterdam collage.

Kip Jet

However…..When the sun is shining I go sailing. Due to COVID-19 the good old Finn is back on the local lake as ‘one man in a boat’ favorite. A good excuse to make and donate the new annual prize for the newly formed local Finn Club.